Faculty

Institution

Unit

Venue

Samuel Y. Ng

Professor

University of Cincinnati

Affiliations

College-Conservatory of Music

Composition, Musicology & Theory

Samuel Y. Ng is currently serving as a College-Conservatory Of Music Professor at University of Cincinnati.

Honors

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Experiences

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Education

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Samuel Y. Ng

University of Cincinnati

Professor

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music music theory musical expression musicology musical analysis music history musical composition linguistics general music music perception general linguistics public performance performance art philosophy of music phrase rhythm five-measure phrases musical narrative language art grammar computational linguistics phonetics structural linguistics music science music psychology music information retrieval cultural change semantic evaluation digital scholarship pragmatics poetics french studies speech synthesis abstract interpretation semantic interpretation prosody (linguistics) mathematical linguistics theoretical linguistics performance metrics visual metaphor symbol use history of logic symbolic techniques semantic analysis (linguistics) classical instrumental music phrase-rhythmic progression end-accented sentences musical eschatology werther quartet brahms’s instrumental music expressive forms tanja tetzlaff vc johannes brahms program notes e minor brahms’s sonata music theory classroom

Notable Scholarly Works

Notable Federal Grants

Collaborators

The Trimodular Block and L’Art De Bien Chanter in HéLèNe De Montgeroult’S Piano Sonatas, Op. 5. Intégral (2023)

musical expressionmusical compositionmusicologytrimodular blockgeneral musicfrench studiesfrenchmontgeroult’s piano sonatasl’art demusic theorymusic historymusicmusical analysis

Musical Eschatology in Contemporary Christian Worship Songs. Music Theory Online (2022)

Samuel Ng

musicmusical eschatologymusic theory

End-Accented Sentences: Towards a Theory of Phrase-Rhythmic Progression. Music Theory Spectrum (2020)

Samuel Ng

computational linguisticsabstract interpretationgrammarlinguisticsmusical expressionsemantic interpretationend-accented sentencesstructural linguisticsspeech synthesismusicgeneral linguisticsphoneticsphrase-rhythmic progressionmusic theoryprosody (linguistics)languagemusical analysis

On the Oddness of Brahms's Five-Measure Phrases. Brahms and the Shaping of Time (2018)

pure mathematicstheoretical linguisticslinguisticsfive-measure phrasesmathematical linguisticsgeneral linguistics

On the Oddness of Brahms’s Five-Measure Phrases. Boydell & Brewer eBooks (2018)

Samuel Ng

five-measure phraseslinguistics

Johannes Brahms, the Piano Trios Christian Tetzlaff Vln, Tanja Tetzlaff Vc, Lars Vogt Pf Ondine 1271-2D, 2015. (2017)

musical expressionjohannes brahmsclassicsmusical compositionmusicologygeneral musicmusic historymusic sciencemusictanja tetzlaff vcmusical analysis

Recorded Performances as Text in the Music Theory Classroom. Journal of Music Theory Pedagogy (2014)

musical expressionmusical compositionmusicologypublic performancemusical analysismusic theorymusicmusic theory classroommusic perception

Phrase Rhythm as Form in Classical Instrumental Music. Music Theory Spectrum (2012)

Samuel Ng

phrase rhythmmusicclassical instrumental musicmusic theory

Phrase Rhythm as Musical Form in Classical Instrumental Music. Music Theory Spectrum (2012)

musical expressionmusic psychologymusical compositionmusicologyphrase rhythmmusical analysismusic theorymusic historymusicmusic perception

Brahms and the Scherzo: Studies in Musical Narrative. (2011)

musical expressionphilosophy of musicmusicologymusic theorymusic historymusical narrativemusicmusical analysis

1
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10 / page

Samuel Y. Ng

Professor

University of Cincinnati

Affiliations

College-Conservatory of Music

Composition, Musicology & Theory

Samuel Y. Ng is currently serving as a College-Conservatory Of Music Professor at University of Cincinnati.

Honors

Create free account to unlock more features

Experiences

Create free account to unlock more features

Education

Create free account to unlock more features

Samuel Y. Ng

University of Cincinnati

Professor

You can click a keyword to filter the displayed items

Notable Scholarly Works

Notable Federal Grants

Collaborators

The Trimodular Block and L’Art De Bien Chanter in HéLèNe De Montgeroult’S Piano Sonatas, Op. 5. Intégral (2023)

musical expressionmusical compositionmusicologytrimodular blockgeneral musicfrench studiesfrenchmontgeroult’s piano sonatasl’art demusic theorymusic historymusicmusical analysis

Musical Eschatology in Contemporary Christian Worship Songs. Music Theory Online (2022)

Samuel Ng

musicmusical eschatologymusic theory

End-Accented Sentences: Towards a Theory of Phrase-Rhythmic Progression. Music Theory Spectrum (2020)

Samuel Ng

On the Oddness of Brahms's Five-Measure Phrases. Brahms and the Shaping of Time (2018)

pure mathematicstheoretical linguisticslinguisticsfive-measure phrasesmathematical linguisticsgeneral linguistics

On the Oddness of Brahms’s Five-Measure Phrases. Boydell & Brewer eBooks (2018)

Samuel Ng

five-measure phraseslinguistics

Johannes Brahms, the Piano Trios Christian Tetzlaff Vln, Tanja Tetzlaff Vc, Lars Vogt Pf Ondine 1271-2D, 2015. (2017)

musical expressionjohannes brahmsclassicsmusical compositionmusicologygeneral musicmusic historymusic sciencemusictanja tetzlaff vcmusical analysis

Recorded Performances as Text in the Music Theory Classroom. Journal of Music Theory Pedagogy (2014)

musical expressionmusical compositionmusicologypublic performancemusical analysismusic theorymusicmusic theory classroommusic perception

Phrase Rhythm as Form in Classical Instrumental Music. Music Theory Spectrum (2012)

Samuel Ng

phrase rhythmmusicclassical instrumental musicmusic theory

Phrase Rhythm as Musical Form in Classical Instrumental Music. Music Theory Spectrum (2012)

musical expressionmusic psychologymusical compositionmusicologyphrase rhythmmusical analysismusic theorymusic historymusicmusic perception

Brahms and the Scherzo: Studies in Musical Narrative. (2011)

musical expressionphilosophy of musicmusicologymusic theorymusic historymusical narrativemusicmusical analysis

1
2
10 / page

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Similar Faculty Members

Benjamin Steege

Institution

Columbia University

philosophy of music

interdisciplinary history

Jenny Doctor

Institution

University of Cincinnati

american radio

archival research

Deane L. Root

Institution

University of Pittsburgh

public performance

music teacher education

Jeremy Smith

Institution

University of Colorado Boulder

ethnomusicology

progressive rock

Anne MacNeil

Institution

University of North Carolina at Chapel Hill

commedia dell’arte

performance art

Robert Hill

Institution

University of Colorado Boulder

baroque music

musicology

Stephen Conrad Meyer

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theatre

cultural history

Michael Alan Anderson

Institution

University of Rochester

vocal music

public performance

Philip Rupprecht

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Duke University

institutional politics

public performance

Mark Evan Bonds

Institution

University of North Carolina at Chapel Hill

art history

music philosophy