Faculty

Institution

Unit

Venue

Benjamin Steege

Associate Professor of Music; Music Humanities Program Chair

Columbia University

Affiliations

MS_ACAD-Morningside Academic

A&S Core - Academic

A&S Humanities

A&S Music

Benjamin Steege is currently serving as an A&S Core - Academic Associate Professor of Music; Music Humanities Program Chair at Columbia University.

Honors

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Experiences

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Education

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Benjamin Steege

Columbia University

Associate Professor of Music; Music Humanities Program Chair

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music philosophy of music musicology musical expression literature music perception music psychology human hearing linguistics communication sound speech perception artificial intelligence music history literary criticism literary theory phenomenology (philosophy) speech communication literary history poetics contemporary fiction textual practice research library historical review symptom management medical history integrative medicine clinical investigation internal medicine clinical otolaryngology psychoacoustics human communication audience reception voice interaction auditory imagery literary studies musical analysis cultural integration journal citation report bibliometrics education reform economic reform institutional change evidence-based medicine clinical populations general internal medicine clinical disease aural augmentation auditory physiology otorhinolaryngology cochlear implants cognitive psychology modern listener literary attention new yorker unnatural attitude weimar musical thought interwar musical thought hearing japanese music get access link hospital charité germany correspondence usa bchildren liberal progressive history popular sensations interdisciplinary history music humanities music theory humanities

Notable Scholarly Works

Notable Federal Grants

Collaborators

Phenomenology of Music and the Promise of Intentionality. Oxford University Press eBooks (2026)

musicmusical expressionphilosophy of musicmusicology

An Unnatural Attitude: Phenomenology in Weimar Musical Thought. (2021)

Benjamin A. Steege

musicphenomenology (philosophy)philosophy of musicweimar musical thoughtmusicologyunnatural attitudephilosophy

COLLOQUY: Attention, Anxiety, and Audition's Histories. Journal of the American Musicological Society (2019)

Francesca BrittanCarmel RazNicholas MathewAlexandra KiefferBenjamin Steege

poeticsmusic historycontemporary fictionartificial intelligencemusicologytextual practicemusic perceptionliteratureauditory imagerymusical expressionmusic psychologyliterary attentionmusicnew yorkerliterary studiesmusical analysisphilosophy of musicliterary historyliterary theoryliterary criticism

Antipsychologism in Interwar Musical Thought: Two Ways of Hearing Debussy. Music and Letters (2017)

Benjamin Steege

musicphilosophy of musicmusicologyinterwar musical thoughtmusic psychology

Between Race and Culture: Hearing Japanese Music in Berlin. History of Humanities (2017)

Benjamin Steege

humanitiescultural historycultural integrationeast asian studieshearing japanese musicculturecultural studies

Acoustics. Mechanical Engineers' Handbook (2015)

Jonathan D. BlotterScott D. SommerfeldtKent L. Gee

Introduction. Brepols collected essays in European culture (2013)

Paul Freedman

internal medicinesymptom managementclinical diseaseclinical epidemiologygeneral internal medicinemedicineevidence-based medicinehospital charitépatient safetychronic diseasescritical carehealth sciencesmedical historyusa bchildrengermany correspondenceintegrative medicineclinical researchclinical investigationclinical populations

EPILOGUE: Helmholtz and Modernism. Cambridge University Press eBooks (2012)

Benjamin Steege

modernityart

Helmholtz and the Modern Listener. Cambridge University Press eBooks (2012)

Benjamin Steege

musicspeech perceptionsoundcommunicationspeech communicationhuman hearingpsychoacousticsaudience receptionmusic perceptionvoice interactionmodern listenerhuman communicationlinguistics

Music Theory as Liberal Progressive History. Cambridge University Press eBooks (2012)

Benjamin Steege

musicmusic theoryliberal progressive history

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Benjamin Steege

Associate Professor of Music; Music Humanities Program Chair

Columbia University

Affiliations

MS_ACAD-Morningside Academic

A&S Core - Academic

A&S Humanities

A&S Music

Benjamin Steege is currently serving as an A&S Core - Academic Associate Professor of Music; Music Humanities Program Chair at Columbia University.

Honors

Create free account to unlock more features

Experiences

Create free account to unlock more features

Education

Create free account to unlock more features

Benjamin Steege

Columbia University

Associate Professor of Music; Music Humanities Program Chair

You can click a keyword to filter the displayed items

Notable Scholarly Works

Notable Federal Grants

Collaborators

Phenomenology of Music and the Promise of Intentionality. Oxford University Press eBooks (2026)

musicmusical expressionphilosophy of musicmusicology

An Unnatural Attitude: Phenomenology in Weimar Musical Thought. (2021)

Benjamin A. Steege

musicphenomenology (philosophy)philosophy of musicweimar musical thoughtmusicologyunnatural attitudephilosophy

COLLOQUY: Attention, Anxiety, and Audition's Histories. Journal of the American Musicological Society (2019)

Francesca BrittanCarmel RazNicholas MathewAlexandra KiefferBenjamin Steege

Antipsychologism in Interwar Musical Thought: Two Ways of Hearing Debussy. Music and Letters (2017)

Benjamin Steege

musicphilosophy of musicmusicologyinterwar musical thoughtmusic psychology

Between Race and Culture: Hearing Japanese Music in Berlin. History of Humanities (2017)

Benjamin Steege

humanitiescultural historycultural integrationeast asian studieshearing japanese musicculturecultural studies

Acoustics. Mechanical Engineers' Handbook (2015)

Jonathan D. BlotterScott D. SommerfeldtKent L. Gee

Introduction. Brepols collected essays in European culture (2013)

Paul Freedman

EPILOGUE: Helmholtz and Modernism. Cambridge University Press eBooks (2012)

Benjamin Steege

modernityart

Helmholtz and the Modern Listener. Cambridge University Press eBooks (2012)

Benjamin Steege

musicspeech perceptionsoundcommunicationspeech communicationhuman hearingpsychoacousticsaudience receptionmusic perceptionvoice interactionmodern listenerhuman communicationlinguistics

Music Theory as Liberal Progressive History. Cambridge University Press eBooks (2012)

Benjamin Steege

musicmusic theoryliberal progressive history

1
2
10 / page