Faculty

Institution

Unit

Venue

Anne MacNeil

Associate Professor

University of North Carolina at Chapel Hill

Affiliations

College of Arts and Sciences

Music

Anne Macneil is currently serving as a College Of Arts And Sciences Associate Professor at University of North Carolina At Chapel Hill.

Honors

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Experiences

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Education

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Anne MacNeil

University of North Carolina at Chapel Hill

Associate Professor

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music music history performance studies history musical composition culture ethnomusicology musicology cultural history cultural studies literary criticism musical expression modern italy poetics underwater acoustics historical scholarship vincenzo gonzaga patronage strategies renaissance music theatre musical analysis philosophy of music performance art

Notable Scholarly Works

Notable Federal Grants

Collaborators

Ariosto, Opera, and the 17Th Century: Evolution in the Poetics of Delight. Edward Milton Anderson. Ed. Nicola Badolato. With Amyrose Mccue Gill. Historiae Musicae Cultores 132. Florence: Olschki, 2017. XII + 278 Pp. €32.. Renaissance Quarterly (2020)

Anne MacNeil

artmusicpoeticsmusic history

‘a Voice Crying in the Wilderness’: Issues of Authorship, Performance, and Transcription in the Italian Frottola. The Italianist (2020)

Anne MacNeil

literatureliterary criticismcomparative literatureperformance studies

Nina K. Treadwell. Music and Wonder at the Medici Court: The 1589 Interludes for La Pellegrina. Includes CD. Bloomington: Indiana University Press, 2008. XX+278 Pp. + 13 Color and 16 B/W Pls. Index. Append. Illus. Bibl. $39.95. Isbn: 978–0–235–35218–7.. Renaissance Quarterly (2009)

Anne MacNeil

music historymusichistory

The Nature of Commitment: Vincenzo Gonzaga's Patronage Strategies in the Wake of the Fall of Ferrara. Renaissance Studies (2002)

Anne MacNeil

cultural studiesmodern italyart historycultural historyvincenzo gonzagahistoryhistorical scholarshipculturepatronage strategies

Weeping at the Water's Edge. Early Music (1999)

Anne MacNeil

underwater acousticsmusic historyethnomusicologymusicmusical compositionmusical expressionmusicologyperformance studies

Willem Elders. Composers of the Low Countries. Trans. Graham Dixon. Oxford: Clarendon Press, 1991. 50 Figs. + 50 Musical Exs. + IX + 193 Pp. $55.. Renaissance Quarterly (1992)

Anne MacNeil

musicmusical compositionmusic history

1
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Anne MacNeil

Associate Professor

University of North Carolina at Chapel Hill

Affiliations

College of Arts and Sciences

Music

Anne Macneil is currently serving as a College Of Arts And Sciences Associate Professor at University of North Carolina At Chapel Hill.

Honors

Create free account to unlock more features

Experiences

Create free account to unlock more features

Education

Create free account to unlock more features

Anne MacNeil

University of North Carolina at Chapel Hill

Associate Professor

You can click a keyword to filter the displayed items

Notable Scholarly Works

Notable Federal Grants

Collaborators

Anne MacNeil

artmusicpoeticsmusic history

‘a Voice Crying in the Wilderness’: Issues of Authorship, Performance, and Transcription in the Italian Frottola. The Italianist (2020)

Anne MacNeil

literatureliterary criticismcomparative literatureperformance studies

Anne MacNeil

music historymusichistory

The Nature of Commitment: Vincenzo Gonzaga's Patronage Strategies in the Wake of the Fall of Ferrara. Renaissance Studies (2002)

Anne MacNeil

cultural studiesmodern italyart historycultural historyvincenzo gonzagahistoryhistorical scholarshipculturepatronage strategies

Weeping at the Water's Edge. Early Music (1999)

Anne MacNeil

underwater acousticsmusic historyethnomusicologymusicmusical compositionmusical expressionmusicologyperformance studies

Willem Elders. Composers of the Low Countries. Trans. Graham Dixon. Oxford: Clarendon Press, 1991. 50 Figs. + 50 Musical Exs. + IX + 193 Pp. $55.. Renaissance Quarterly (1992)

Anne MacNeil

musicmusical compositionmusic history

1
10 / page

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art history

music philosophy

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Institution

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institutional politics

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music science

medieval france

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vocal music

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