Faculty

Institution

Unit

Venue

Robert Snarrenberg

Associate Professor of Theory and Composition Associate Professor of Music Theory

Washington University in St. Louis

Affiliations

Arts & Sciences

Music

Robert Snarrenberg is currently serving as an Arts & Sciences Associate Professor of Theory and Composition Associate Professor of Music Theory at Washington University In St. Louis.

Honors

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Experiences

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Education

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Robert Snarrenberg

Washington University in St. Louis

Associate Professor of Theory and Composition Associate Professor of Music Theory

You can click a keyword to filter the displayed items

music musicology musical expression musical analysis philosophy of music music perception philosophy musical composition general linguistics music psychology poetry poetics music science applied linguistics syntactic structure linguistic theory formal syntax linguistic syntax literature phenomenology (philosophy) music information retrieval philosophical inquiry computational musicology sound art interdisciplinary history social semiotics proximate cause music processing grammatical formalism theoretical linguistics general music syntactic parsing dependency linguistics music generation opus 72 tonal species counterpoint performance studies philosophy of language epistemology philosophy of science interpretation pragmatics french language speech processing american studies applied philosophy textual practice interpretation techniques formal epistemology vocal music prosody (linguistics) literary studies audio analysis music classification case studies environmental politics historical reassessment theoretical mathematics inductive reasoning feminist methods editorial independence schubert calculus arts-based research interpretive practice german lyric song non-strophic settings brahms’s non-strophic settings brahms’s six songs american abandonment ‘o kühler wald’ ‘o küler wald’ alinear approach to eb major o kühler wald ihr bild commentary on'the masterwork music theory music analysis comparative literature

Notable Scholarly Works

Notable Federal Grants

Collaborators

Brahms’S Non-Strophic Settings of Stanzaic Poetry. Music & Letters (2023)

literaturepoetrypoeticsbrahms’s non-strophic settingsmusical analysis

Linear and Linguistic Syntax in ‘O Küler Wald’ (Brahms, Opus 72, No. 3). Music Analysis (2023)

grammatical formalismlinguisticsformal syntaxgrammarapplied linguisticstheoretical linguisticslinguistic syntax‘o küler wald’opus 72general linguisticslinguistic theorylanguagesyntaxstructural linguisticssyntactic structure

WESTERPARSE: A Transition-Based Dependency Parser for Tonal Species Counterpoint. Proceedings of the 13th International Conference on Computer Supported Education (2021)

linguisticssyntactic parsingtonal species counterpointgeneral linguisticsdependency linguisticssyntax

Brahms’S Non-Strophic Settings of Stanzaic Poetry: Three Case Studies. Proceedings of the 9th European Music Analysis Conference (2018)

literaturepoetrypoeticsphilosophy of musiccase studies

Brahms’s Non-Strophic Settings of Stanzaic Poetry. Music and Letters (2017)

literaturepoetrypoeticsliterary studiesnon-strophic settings

Linear and Linguistic Syntax in Brahms’S O Kuühler Wald, Op. 72 No. 3. Music Analysis (2017)

linguisticsformal syntaxgrammarapplied linguisticslinguistic syntaxgeneral linguisticslinguistic theorylanguagesyntaxstructural linguisticssyntactic structure

On the Prosody of German Lyric Song. Journal of Music Theory (2014)

vocal musicpoetrypoeticsmusic perceptionfrench languageprosody (linguistics)musicmusicologygerman lyric songmusical compositionmusical expression

Brahms’S Six Songs, Op. 3. Music Analysis (2012)

brahms’s six songsmusic historymusicologymusicmusical analysismusical compositionmusical expression

B Rahms ' S S IX S Ongs, O P. 3. Music Analysis (2012)

Robert Snarrenberg

computer scienceaudio analysismusical analysismusic classificationspeech processingmusic perceptionmusic information retrievalethnomusicologycomputational musicologymusic theorymusicmusicologyperformance studiescomputer musicmusic processingmusical compositionmusic sciencemusical expression

Linear and Linguistic Syntax in ‘O Kühler Wald’ (Brahms, Opus 72, No. 3). Music Analysis (2005)

‘o kühler wald’grammatical formalismlinguisticsformal syntaxgrammarapplied linguisticstheoretical linguisticslinguistic syntaxopus 72general linguisticslinguistic theorylanguagesyntaxstructural linguisticssyntactic structure

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Robert Snarrenberg

Associate Professor of Theory and Composition Associate Professor of Music Theory

Washington University in St. Louis

Affiliations

Arts & Sciences

Music

Robert Snarrenberg is currently serving as an Arts & Sciences Associate Professor of Theory and Composition Associate Professor of Music Theory at Washington University In St. Louis.

Honors

Create free account to unlock more features

Experiences

Create free account to unlock more features

Education

Create free account to unlock more features

Robert Snarrenberg

Washington University in St. Louis

Associate Professor of Theory and Composition Associate Professor of Music Theory

You can click a keyword to filter the displayed items

Notable Scholarly Works

Notable Federal Grants

Collaborators

Brahms’S Non-Strophic Settings of Stanzaic Poetry. Music & Letters (2023)

literaturepoetrypoeticsbrahms’s non-strophic settingsmusical analysis

Linear and Linguistic Syntax in ‘O Küler Wald’ (Brahms, Opus 72, No. 3). Music Analysis (2023)

WESTERPARSE: A Transition-Based Dependency Parser for Tonal Species Counterpoint. Proceedings of the 13th International Conference on Computer Supported Education (2021)

linguisticssyntactic parsingtonal species counterpointgeneral linguisticsdependency linguisticssyntax

Brahms’S Non-Strophic Settings of Stanzaic Poetry: Three Case Studies. Proceedings of the 9th European Music Analysis Conference (2018)

literaturepoetrypoeticsphilosophy of musiccase studies

Brahms’s Non-Strophic Settings of Stanzaic Poetry. Music and Letters (2017)

literaturepoetrypoeticsliterary studiesnon-strophic settings

Linear and Linguistic Syntax in Brahms’S O Kuühler Wald, Op. 72 No. 3. Music Analysis (2017)

linguisticsformal syntaxgrammarapplied linguisticslinguistic syntaxgeneral linguisticslinguistic theorylanguagesyntaxstructural linguisticssyntactic structure

On the Prosody of German Lyric Song. Journal of Music Theory (2014)

vocal musicpoetrypoeticsmusic perceptionfrench languageprosody (linguistics)musicmusicologygerman lyric songmusical compositionmusical expression

Brahms’S Six Songs, Op. 3. Music Analysis (2012)

brahms’s six songsmusic historymusicologymusicmusical analysismusical compositionmusical expression

B Rahms ' S S IX S Ongs, O P. 3. Music Analysis (2012)

Robert Snarrenberg

Linear and Linguistic Syntax in ‘O Kühler Wald’ (Brahms, Opus 72, No. 3). Music Analysis (2005)

1
2
3
4
10 / page

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institutional politics

public performance

Mark Evan Bonds

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University of North Carolina at Chapel Hill

art history

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acoustic music

ethnomusicology

Andrew Cashner

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spanish

computational musicology

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musical analysis

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Benjamin D. Piekut

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