Melinda O'Neal

Professor of Music Emerita

Dartmouth College

Affiliations

Faculty of Arts and Sciences

Department of Music

Melinda O'neal is currently serving as a Music Professor of Music Emerita at Dartmouth College.

Honors

Create free account to unlock more features

Experiences

Create free account to unlock more features

Education

Create free account to unlock more features

Melinda O'Neal

Dartmouth College

Professor of Music Emerita

You can click a keyword to filter the displayed items

music musical expression public performance musical analysis musicology music history musical composition vocal music performance art general music theatre historical dance music technology (electronic and digital) music perception poetics jazz computer music music information retrieval philosophy of music dance history music theory contemporary theatre dance research narrative literary history historical review theatre studies computational musicology music generation literary studies music processing music teacher research music teacher education handel ’ contemporary drama textual practice drama education art education islamic thought performance theory first-person narratives performance measures performance management performance measurement islamic studies diaspora studies fascism in europe historical methodology historical scholarship music classification art criticism sound art choral library atlanta ballet washington dc cathedral choral society american music performance practice considerations programming ideas vocal solo repertoire book talk handel alexander ’ historical performance practices conductor ’ romantic imagination ” “ brahms course instructor dance education performance practices music education performance studies

Notable Scholarly Works

Notable Federal Grants

Collaborators

Pre-Concert Lecture: “Performing Beethoven’s Missa Solemnis” for Handel Choir of Baltimore, Basilica of the Assumption, Baltimore MD. (2025)

classicsvocal musichistorical dancebaltimore mdtheatreethnomusicologyhandel choirpublic performancemusic historymusicologymusicmusical analysismusical compositionpre-concert lecturemusical expression

REPORT: “Berlioz and His World; Bard Music Festival, 34Th Season.”. The Berlioz Society Bulletin (2024)

general musicbard music festivaltheatrefilm scoresjazzpublic performancemusic historymusicologymusicmusical analysisperformance artmusical expression

Call to Perform RoméO Et Juliette, and a Production With Ballet. The Berlioz Society Bulletin (2023)

classicsdance researchhistorical dancedancedramaturgycontemporary theatretheatre studiestheatredrama educationmusic historypublic performanceplaywritingperformance artmusical composition

ADVISOR: Cathedral Choral Society (Washington DC) Performance of Berlioz’s RoméO Et Juliette With the Atlanta Ballet. (2022)

vocal musicdance researchhistorical dancecathedral choral societydancecontemporary theatretheatre studiescontemporary dramaatlanta ballettheatrepublic performancemusic historymusicwashington dcmusical analysisperformance artmusical compositionmusical expression

Book Talk: Experiencing Berlioz: A Listener’s Companion. (2022)

literary historynarrativeliteratureliterary theorybook talkfirst-person narrativesliterary studiestextual practiceliterary criticism

Course Instructor: “Brahms, Berlioz and the Romantic Imagination” via Zoom for Osher Lifelong Learning Institute at Dartmouth. (2021)

general musicart educationcourse instructormusic education“ brahmsmusic historyphilosophy of musicmusicmusical analysisromantic imagination ”musical compositionartmusical expression

Virtual Talk: “L’enfance Du Christ, Berlioz’s Last Choral-Orchestral Work” for Handel Choir of Baltimore. (2020)

virtual talkvocal musicgeneral musicliteraturemusic technology (electronic and digital)ethnomusicologyhandel choirmusic educationpublic performancemusicberlioz ’musical analysisperformance artmusical expression

LECTURE: “MéLodies Fantastiques! — Mystique and Narrative in Berlioz’s Vocal Music” for Opera Prelude, Cadogan Hall, London, UK. (2019)

vocal musicliteraturecadogan hallopera preludepoeticsphilosophy of musicmusic historymusicologymusic“ mélodies fantastiquesmusical analysisperformance artmusical compositionmusical expression

Experiencing Berlioz: A Listener’s Companion. Rowman & Littlefield (2018)

music processingmusical analysislistener ’music perceptioncommunicationmusic technology (electronic and digital)public performancemusicmusicologymusic sciencecomputer musicphenomenology (philosophy)music psychologymusical expression

Foreword Author and Advisor, a History of the Handel Choir of Baltimore (1935-2013). Rowman & Littlefield/Lexington Books (2015)

vocal musica historytheatreethnomusicologyhandel choirpublic performancemusic historymusicologymusicforeword authormusical analysismusical compositionmusical expression

1
2
3
4
10 / page