Faculty

Institution

Unit

Venue

Jim M. Jordan

Professor of Art History Emeritus

Dartmouth College

Affiliations

Faculty of Arts and Sciences

Department of Art History

Jim M. Jordan is currently serving as an Art History Professor of Art History Emeritus at Dartmouth College.

Honors

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Experiences

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Education

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Jim M. Jordan

Dartmouth College

Professor of Art History Emeritus

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art art history history of art visual arts visual culture performance art art criticism history sculpture material culture printmaking art research cultural heritage heritage studies generative art architecture criticism art theory museology paul klee critical catalogue oil-transfer works art education aesthetics modernity arts-based research abstract expressionism abstract art art policy

Notable Scholarly Works

Notable Federal Grants

Collaborators

Paul Klee and Cubism. (1984)

architecture criticismsculpturepaul kleegenerative artartperformance art

Introduction to the Exhibition and Klee’s Prints and Oil-Transfer Works: Some Further Reflections. The Graphic Legacy of Paul Klee (1983)

visual artsart historyoil-transfer worksvisual culturecultural heritageheritage studiesartprintmakingmuseologyperformance arthistoryart criticismhistory of artmaterial culture

The Paintings of Arshile Gorky: A Critical Catalogue. (1982)

visual artscritical catalogueart historyart researchvisual cultureartart theoryart criticismhistory of art

1
10 / page

Jim M. Jordan

Professor of Art History Emeritus

Dartmouth College

Affiliations

Faculty of Arts and Sciences

Department of Art History

Jim M. Jordan is currently serving as an Art History Professor of Art History Emeritus at Dartmouth College.

Honors

Create free account to unlock more features

Experiences

Create free account to unlock more features

Education

Create free account to unlock more features

Jim M. Jordan

Dartmouth College

Professor of Art History Emeritus

You can click a keyword to filter the displayed items

Notable Scholarly Works

Notable Federal Grants

Collaborators

Paul Klee and Cubism. (1984)

architecture criticismsculpturepaul kleegenerative artartperformance art

Introduction to the Exhibition and Klee’s Prints and Oil-Transfer Works: Some Further Reflections. The Graphic Legacy of Paul Klee (1983)

visual artsart historyoil-transfer worksvisual culturecultural heritageheritage studiesartprintmakingmuseologyperformance arthistoryart criticismhistory of artmaterial culture

The Paintings of Arshile Gorky: A Critical Catalogue. (1982)

visual artscritical catalogueart historyart researchvisual cultureartart theoryart criticismhistory of art

1
10 / page

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Similar Faculty Members

Colin Tobias Eisler

Institution

New York University

cultural heritage

visual culture

William Wallace

Institution

Washington University in St. Louis

cultural heritage

art

Claudia Swan

Institution

Washington University in St. Louis

cultural heritage

visual culture

Leonard Folgarait

Institution

Vanderbilt University

art history

contemporary art

Margaret Holben Ellis

Institution

New York University

cultural heritage

magic markers

Michele D. Marincola

Institution

New York University

cultural heritage

polychrome wood sculpture

Daniel J. Sherman

Institution

University of North Carolina at Chapel Hill

heritage studies

monumental heritage

Erin Benay

Institution

Case Western Reserve University

heritage studies

visual arts

Lisa Pon

Institution

University of Southern California

heritage studies

visual arts

Amy Golahny

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Boston College

visual arts

word/image studies