Faculty

Institution

Unit

Venue

Michele D. Marincola

Sherman Fairchild Distinguished Professor of Conservation; Conservation Consultant

New York University

Affiliations

Arts & Science

Art History

Fine Arts

Graduate School of Arts & Science

Michele D. Marincola is currently serving as an Art History Sherman Fairchild Distinguished Professor of Conservation; Conservation Consultant at New York University.

Honors

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Experiences

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Education

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Michele D. Marincola

New York University

Sherman Fairchild Distinguished Professor of Conservation; Conservation Consultant

You can click a keyword to filter the displayed items

art history sculpture history of art heritage studies cultural heritage art theory museum conservation history european archaeology performance art museology biological conservation art criticism heritage conservation tilman riemenschneider interdisciplinary history literary history historical methodology historical archaeology conservation planning conservation management system arts-based research practical conservation conservation policy generative art chemistry comparative literature petrology history and philosophy of science history of science intellectual history historiography social history mineral engineering french history french studies french civilization american studies environmental planning psychological trauma memory studies plastic surgery biomineralization history of mathematics historical evidence historical scholarship religious symbol cultural impact american identity human memory trauma systems case studies tissue bank monumental heritage cultural heritage management algebraic combinatorics malpractice product liability remuneration practice model analysis model theory temporary consolidant cy twombly gray area charles vii france attributed jean perréal medieval alabaster dumbarton oaks virgin technical investigation zu einem hl villa la pietra acton collection effective decision-making model collective memory theory tissue paper fills art medieval art environmental history visual arts heritage science material culture cultural history

Notable Scholarly Works

Notable Federal Grants

Collaborators

The Conservation of Medieval Polychrome Wood Sculpture. Metropolitan Museum of Art (2021)

wood sciencehistory of artsculpturevisual artsart historymuseum conservationart

Collective Memory Theory and Objects of Trauma: Case Studies From the 9/11 Memorial & Museum. (2020)

memorysocial cognitionhistorytrauma systemsmemory studieshuman memorypublic historycollective memory theorycognitive sciencepsychological traumatraumapsychologycase studies

Potential Futures: Preserving the Physical, Digital and Conceptual Integrity of 3-D Printed Artworks. (2020)

computer graphics3d printingdigital heritagepotential futures3-d printed artworksvisual artsphysical prototypingdigital fabricationdesignconceptual integritydigital artcomputer-aided designart

The Conservation of Medieval Polychrome Wood Sculpture: History, Theory, Practice. Getty Publications (2020)

historic preservationart researchhistory of artvisual artsmaterial culturesculpturearchaeological practiceink wash paintingarchaeological methodsart historymuseum conservationart

The Use of Naturalia in Late Medieval Treasury Objects. (2018)

history of artheritage studiesmaterial culturehistorical archaeologyarchaeologyart historyeuropean archaeologyprehistory

Riemenschneider’S Marienaltar in Herrgottskirche, Creglingen: A Review of Its Restoration History and the Application of a New Examination Method. (2017)

classicshistoric preservationrestoration historynew examination methodslavic languagesriemenschneider’s marienaltarsculpturearchival researcharchaeologyeuropean archaeology

A Portrait of Charles VII of France Attributed to Jean PerréAl and Workshop. (2016)

classicsart criticismliterary historyintellectual historyhistory of artsculpturefrenchfrench historyjean perréalfrance attributedcharles viifrench studiesfrench civilizationart historyhistoriography

Manifestations of the Model. (2016)

philosophytheoretical physicssystems modelinggeneral systemsmodel analysismodel theorymodel buildingmetaphysics

Spanish Medieval Polychrome Sculpture in American Collections: History and Conservation. (2016)

historic preservationamerican collectionshistory of artsculpturevisual artsheritage studiescultural heritagemuseologyart historymuseum conservationspanishart

What Does the Support Tell Us About a Work of Art? the Construction Method of a Group of Reliquary Busts. (2016)

art researchconstruction methodvisual artssculpturecultural heritagereliquary bustsvisual cultureart historyart theoryparticipatory artarts-based researchart

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Michele D. Marincola

Sherman Fairchild Distinguished Professor of Conservation; Conservation Consultant

New York University

Affiliations

Arts & Science

Art History

Fine Arts

Graduate School of Arts & Science

Michele D. Marincola is currently serving as an Art History Sherman Fairchild Distinguished Professor of Conservation; Conservation Consultant at New York University.

Honors

Create free account to unlock more features

Experiences

Create free account to unlock more features

Education

Create free account to unlock more features

Michele D. Marincola

New York University

Sherman Fairchild Distinguished Professor of Conservation; Conservation Consultant

You can click a keyword to filter the displayed items

Notable Scholarly Works

Notable Federal Grants

Collaborators

The Conservation of Medieval Polychrome Wood Sculpture. Metropolitan Museum of Art (2021)

wood sciencehistory of artsculpturevisual artsart historymuseum conservationart

Collective Memory Theory and Objects of Trauma: Case Studies From the 9/11 Memorial & Museum. (2020)

memorysocial cognitionhistorytrauma systemsmemory studieshuman memorypublic historycollective memory theorycognitive sciencepsychological traumatraumapsychologycase studies

Potential Futures: Preserving the Physical, Digital and Conceptual Integrity of 3-D Printed Artworks. (2020)

computer graphics3d printingdigital heritagepotential futures3-d printed artworksvisual artsphysical prototypingdigital fabricationdesignconceptual integritydigital artcomputer-aided designart

The Conservation of Medieval Polychrome Wood Sculpture: History, Theory, Practice. Getty Publications (2020)

historic preservationart researchhistory of artvisual artsmaterial culturesculpturearchaeological practiceink wash paintingarchaeological methodsart historymuseum conservationart

The Use of Naturalia in Late Medieval Treasury Objects. (2018)

history of artheritage studiesmaterial culturehistorical archaeologyarchaeologyart historyeuropean archaeologyprehistory

Riemenschneider’S Marienaltar in Herrgottskirche, Creglingen: A Review of Its Restoration History and the Application of a New Examination Method. (2017)

classicshistoric preservationrestoration historynew examination methodslavic languagesriemenschneider’s marienaltarsculpturearchival researcharchaeologyeuropean archaeology

A Portrait of Charles VII of France Attributed to Jean PerréAl and Workshop. (2016)

classicsart criticismliterary historyintellectual historyhistory of artsculpturefrenchfrench historyjean perréalfrance attributedcharles viifrench studiesfrench civilizationart historyhistoriography

Manifestations of the Model. (2016)

philosophytheoretical physicssystems modelinggeneral systemsmodel analysismodel theorymodel buildingmetaphysics

Spanish Medieval Polychrome Sculpture in American Collections: History and Conservation. (2016)

historic preservationamerican collectionshistory of artsculpturevisual artsheritage studiescultural heritagemuseologyart historymuseum conservationspanishart

What Does the Support Tell Us About a Work of Art? the Construction Method of a Group of Reliquary Busts. (2016)

art researchconstruction methodvisual artssculpturecultural heritagereliquary bustsvisual cultureart historyart theoryparticipatory artarts-based researchart

1
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