Faculty

Institution

Unit

Venue

Amy Golahny

Part-time Faculty Art History Professor

Boston College

Affiliations

Art, Art History, and Film Department

Art History

Film Studies

Studio Arts

Robert J. Morrissey College of Arts and Sciences

Art, Art History, and Film Department

Amy Golahny is currently serving as an Art History Part-time Faculty Art History Professor at Boston College.

Honors

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Experiences

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Education

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Amy Golahny

Boston College

Part-time Faculty Art History Professor

You can click a keyword to filter the displayed items

art history religion visual arts art criticism art theory cultural history narrative communication social sciences journalism public opinion mass communication social media media studies social influence popular medium art research modern italy art education content distribution majority influence reusability cultural context audience reception coxeter group art management visual art practice art policy popular reception netherlandish art vernacular arcadia franciscus junius thijs weststeijn der rembrandtisten early modern artists interdisciplinary studies erma hermens dutch republic angela vanhaelen northern art sculpture cultural heritage visual culture art printmaking dutch art history history of art

Notable Scholarly Works

Notable Federal Grants

Collaborators

Current Approaches to Dutch Art. Religion and the Arts (2024)

Amy Golahny

art criticismart researchcontemporary artart policyvisual artsreligious studiesart theoryart managementvisual art practicevisual cultureart historyreligionart

Woodland Imagery in Northern Art, C.1500–1800: Poetry and Ecology. Leopoldine Van Hogendorp Prosperetti. Northern Lights. London: Lund Humphries Publishers, 2022. 160 Pp. + 68 Color Pls. £45.. Renaissance Quarterly (2023)

Amy Golahny

poetrynorthern artart historyecologyart

Denkende KöRper, Formende HäNde: Handeling in Kunst Und Kunsttheorie Der Rembrandtisten. Yannis Hadjinicolaou. Actus Et Imago 18. Berlin: De Gruyter, 2016. VIII + 406 Pp. $112.. Renaissance Quarterly (2018)

Amy Golahny

art criticismsocial historycultural historyhistoryhistory of artvisual artsder rembrandtistenmodern italyart historyart

Divine Encounter. Rembrandt’s Abraham and the Angels, by Seidenstein, Joanna Sheers. Religion and the Arts (2018)

Amy Golahny

artreligious studiesart historyart theoryreligion

Art and Antiquity in the Netherlands and Britain: The Vernacular Arcadia of Franciscus Junius (1591–1677). Thijs Weststeijn. Studies in Netherlandish Art and Cultural History 12. Leiden: Brill, 2015. XXIV + 452 Pp. $161.. Renaissance Quarterly (2017)

Amy Golahny

netherlandish artcoxeter groupcultural historyhistoryvernacular arcadiafranciscus juniusart historythijs weststeijnart

Stories in Gilded Frames, Written by De Vries, Lyckle. Religion and the Arts (2017)

Amy Golahny

literaturenarrativevisual artsart theoryvisual cultureart historyreligionart

Rembrandt and the Passion, Written by Peter Black, With Erma Hermens. Religion and the Arts (2016)

Amy Golahny

religious studieserma hermensart historyreligionart

The Wake of Iconoclasm: Painting the Church in the Dutch Republic, Written by Angela Vanhaelen. Religion and the Arts (2016)

Amy Golahny

art criticismvisual artsreligious studiesangela vanhaelendutch republicvisual cultureart historyreligionart

Heiko Damm., Michael Thimann., and Claus Zittel., Eds. the Artist as Reader: On Education and Non-Education of Early Modern Artists. Intersections: Interdisciplinary Studies in Early Modern Culture 27. Leiden: Brill, 2013. XXIII + 522 Pp. + 16 Color Pls. $189. Isbn: 978–90–04–24223–4.. Renaissance Quarterly (2013)

Amy Golahny

early modern artistseducationinterdisciplinary studiesart educationart historyart

RECEPTION: Reflections on Rembrandt. Dutch Crossing (2001)

Amy Golahny

comparative literatureart historyliterature

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Amy Golahny

Part-time Faculty Art History Professor

Boston College

Affiliations

Art, Art History, and Film Department

Art History

Film Studies

Studio Arts

Robert J. Morrissey College of Arts and Sciences

Art, Art History, and Film Department

Amy Golahny is currently serving as an Art History Part-time Faculty Art History Professor at Boston College.

Honors

Create free account to unlock more features

Experiences

Create free account to unlock more features

Education

Create free account to unlock more features

Amy Golahny

Boston College

Part-time Faculty Art History Professor

You can click a keyword to filter the displayed items

Notable Scholarly Works

Notable Federal Grants

Collaborators

Current Approaches to Dutch Art. Religion and the Arts (2024)

Amy Golahny

art criticismart researchcontemporary artart policyvisual artsreligious studiesart theoryart managementvisual art practicevisual cultureart historyreligionart

Amy Golahny

poetrynorthern artart historyecologyart

Amy Golahny

art criticismsocial historycultural historyhistoryhistory of artvisual artsder rembrandtistenmodern italyart historyart

Divine Encounter. Rembrandt’s Abraham and the Angels, by Seidenstein, Joanna Sheers. Religion and the Arts (2018)

Amy Golahny

artreligious studiesart historyart theoryreligion

Amy Golahny

netherlandish artcoxeter groupcultural historyhistoryvernacular arcadiafranciscus juniusart historythijs weststeijnart

Stories in Gilded Frames, Written by De Vries, Lyckle. Religion and the Arts (2017)

Amy Golahny

literaturenarrativevisual artsart theoryvisual cultureart historyreligionart

Rembrandt and the Passion, Written by Peter Black, With Erma Hermens. Religion and the Arts (2016)

Amy Golahny

religious studieserma hermensart historyreligionart

The Wake of Iconoclasm: Painting the Church in the Dutch Republic, Written by Angela Vanhaelen. Religion and the Arts (2016)

Amy Golahny

art criticismvisual artsreligious studiesangela vanhaelendutch republicvisual cultureart historyreligionart

Amy Golahny

early modern artistseducationinterdisciplinary studiesart educationart historyart

RECEPTION: Reflections on Rembrandt. Dutch Crossing (2001)

Amy Golahny

comparative literatureart historyliterature

1
2
10 / page

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