Faculty

Institution

Unit

Venue

Thomas Christensen

Avalon Foundation Professor of Music and the Humanities

University of Chicago

Affiliations

Music, Department of

Theater and Performance Studies, Committee on

Thomas Christensen is currently serving as a Music, Department Of Avalon Foundation Professor of Music and the Humanities at University of Chicago.

Honors

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Experiences

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Education

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Thomas Christensen

University of Chicago

Avalon Foundation Professor of Music and the Humanities

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music music history performance studies history sound music theory musicology cultural history intellectual history historical review soundscapes sound synthesis historical analysis soundings offstage private spaces public music front matter august halm tonal expectation enlightenment orpheus interdisciplinary history enlightenment science philosophy of music musical analysis music science art

Notable Scholarly Works

Notable Federal Grants

Collaborators

Hearing Homophony: Tonal Expectation at the Turn of the Seventeenth Century. by Megan Kaes Long. Music and Letters (2021)

Thomas Christensen

music historymusictonal expectationmusicology

Ecm Volume 15 Issue 1 Cover and Front Matter. Eighteenth-century music (2018)

W DeanAnicia TimberlakeChad FothergillAllan BadleyOlivia BloechlJen-Yen ChenThomas ChristensenThierry FavierEllen HarrisAlan HowardDavid IrvingBerta JoncusDavid JonesMiguel-Ángel MarínNicholas MathewMichael MaulSimon McveighJenny NexSamantha OwensChristine SiegertLauri SuurpääBettina VarwigAlejandro Vera

music historymusicfront matter

Public Music in Private Spaces. Routledge eBooks (2018)

Thomas Christensen

private spacesmusicpublic music

Soundings Offstage. Oxford University Press eBooks (2015)

Thomas Christensen

sound synthesissoundscapesperformance studiessoundings offstagesoundmusic

Review of Lee Rothfarb,August Halm: A Critical and Creative Life in Music(University of Rochester Press, 2009). Music Theory Online (2011)

Thomas Christensen

august halmmusicmusic theory

Vanessa Agnew. Enlightenment Orpheus: The Power of Music in Other Worlds. (the New Cultural History of Music, Number 1.) New York: Oxford University Press. 2008. Pp. XIV, 263. $25.00.. The American Historical Review (2011)

Thomas Christensen

intellectual historyenlightenment orpheushistorical analysishistorical reviewcultural historymusic historymusichistory

1
10 / page

Thomas Christensen

Avalon Foundation Professor of Music and the Humanities

University of Chicago

Affiliations

Music, Department of

Theater and Performance Studies, Committee on

Thomas Christensen is currently serving as a Music, Department Of Avalon Foundation Professor of Music and the Humanities at University of Chicago.

Honors

Create free account to unlock more features

Experiences

Create free account to unlock more features

Education

Create free account to unlock more features

Thomas Christensen

University of Chicago

Avalon Foundation Professor of Music and the Humanities

You can click a keyword to filter the displayed items

Notable Scholarly Works

Notable Federal Grants

Collaborators

Hearing Homophony: Tonal Expectation at the Turn of the Seventeenth Century. by Megan Kaes Long. Music and Letters (2021)

Thomas Christensen

music historymusictonal expectationmusicology

Ecm Volume 15 Issue 1 Cover and Front Matter. Eighteenth-century music (2018)

music historymusicfront matter

Public Music in Private Spaces. Routledge eBooks (2018)

Thomas Christensen

private spacesmusicpublic music

Soundings Offstage. Oxford University Press eBooks (2015)

Thomas Christensen

sound synthesissoundscapesperformance studiessoundings offstagesoundmusic

Review of Lee Rothfarb,August Halm: A Critical and Creative Life in Music(University of Rochester Press, 2009). Music Theory Online (2011)

Thomas Christensen

august halmmusicmusic theory

Thomas Christensen

intellectual historyenlightenment orpheushistorical analysishistorical reviewcultural historymusic historymusichistory

1
10 / page

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