Faculty

Institution

Unit

Venue

Yona Stamatis

Associate Professor of Ethnomusicology; UIS Music Program Director

University of Illinois-Springfield

Affiliations

Art, Music and Theatre

College of Liberal Arts and Sciences

Department Of Art, Music And Theatre

Studies Of Liberal And Integrated

College of Liberal Arts and Social Sciences

University of Illinois--Springfield

Yona Stamatis is currently serving as an Art, Music And Theatre Associate Professor of Ethnomusicology; UIS Music Program Director at University of Illinois-Springfield.

Honors

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Experiences

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Education

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Yona Stamatis

University of Illinois-Springfield

Associate Professor of Ethnomusicology; UIS Music Program Director

You can click a keyword to filter the displayed items

music musicology public performance music history philosophy of music theatre music education musical expression education global health medical anthropology social justice music theory contemporary theatre performance art inclusive education cultural practices global health crisis performance theory philosophy of education student-centered learning soundscapes musical analysis mashup (music) social justice learning popular music greek music roma music dance identities political socialization early adolescence evil empire urbanism historical dance crisis management drama education urban studies urban history music science violent behavior european archaeology business history political studies historical review postcolonial writing urban life music teacher education music teacher research lateral violence general music gastronomy government policy economic reform sound art theatre studies feminist identity gender theory feminist perspectives stephen wagg brett lashua college music curricula music politics northern greece part ii contemporary rebetika performance gendered commemorations

Notable Scholarly Works

Notable Federal Grants

Collaborators

College Music Curricula for a New Century. Ethnomusicology (2024)

music teacher educationeducationmusic educationmusic historymusicologymusiccollege music curriculamusic teacher researchmusic science

Part II: The 1990s. (2024)

policy analysisbusiness historypolitical studieshistorical reviewpart iigovernment policyeconomic reformpolitical scienceinternational relationsgovernancesocial changepublic policy

Rage Against the Machine’s Evil Empire: An Autoethnography of Music and Political Socialization in Early Adolescence. (2024)

political socializationearly adolescencephilosophy of musictheatremashup (music)ethnomusicologyevil empirepublic performancemusic historymusicologymusicpostcolonial writingmusical expression

Greek Music in America. Ergon: Greek/American Arts and Letters (2020)

greek musicpublic performancemusic historymusicologymusicmusical analysismusical expression

Authenticity.. J. Sturman (ed.), The SAGE International Encyclopedia of Music and Culture (vol. 1) (2019)

Papakostas, C. 'We Have Nettles but No Flour': Roma Music and Dance Identities in Northern Greece.. Journal of Modern Greek Studies (2018)

classicshistorical dancegeneral musicgastronomydanceroma musicphilosophy of musicnorthern greeceethnomusicologydance identitiespublic performancemusic historymusicologymusiceuropean archaeology

«Σαχά ισί βαρό νι νάι»: Ρόμικες μουσικές και χορευτικές ταυτότητες στη Μακεδονία (Χρήστος Παπακώστας) [“We Have Nettles but No Flour”: Roma Music and Dance Identities in Macedonia] by Christos Papakostas. Journal of modern Greek studies (2018)

classicsroma musicpoeticscomparative literatureethnomusicologyancient philosophymodern italydance identitieschristos papakostasritual

Singing the Nation: Contemporary Greek Rebetiko Performance as Carnivalesque. Journal of Interdisciplinary Voice Studies (2017)

performance theorycontemporary theatretheatrepublic performancemusic historymusicologymusicperformance artmusical expression

Voicing Belonging: Contemporary Rebetika Performance as Carnivalesque.. Journal of Interdisciplinary Voice Studies (2017)

performance theorydramaturgycontemporary theatretheatre studiescontemporary rebetika performancecontemporary dramacultural studiespopular culturetheatrepublic performanceperformance studiesperformance art

Rebetika and Catharsis: Cultural Practice as Crisis Management. Voices A World Forum for Music Therapy (2016)

cultural practicesmedical anthropologyglobal healthglobal health crisiscrisis management

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Yona Stamatis

Associate Professor of Ethnomusicology; UIS Music Program Director

University of Illinois-Springfield

Affiliations

Art, Music and Theatre

College of Liberal Arts and Sciences

Department Of Art, Music And Theatre

Studies Of Liberal And Integrated

College of Liberal Arts and Social Sciences

University of Illinois--Springfield

Yona Stamatis is currently serving as an Art, Music And Theatre Associate Professor of Ethnomusicology; UIS Music Program Director at University of Illinois-Springfield.

Honors

Create free account to unlock more features

Experiences

Create free account to unlock more features

Education

Create free account to unlock more features

Yona Stamatis

University of Illinois-Springfield

Associate Professor of Ethnomusicology; UIS Music Program Director

You can click a keyword to filter the displayed items

Notable Scholarly Works

Notable Federal Grants

Collaborators

College Music Curricula for a New Century. Ethnomusicology (2024)

music teacher educationeducationmusic educationmusic historymusicologymusiccollege music curriculamusic teacher researchmusic science

Part II: The 1990s. (2024)

policy analysisbusiness historypolitical studieshistorical reviewpart iigovernment policyeconomic reformpolitical scienceinternational relationsgovernancesocial changepublic policy

Rage Against the Machine’s Evil Empire: An Autoethnography of Music and Political Socialization in Early Adolescence. (2024)

political socializationearly adolescencephilosophy of musictheatremashup (music)ethnomusicologyevil empirepublic performancemusic historymusicologymusicpostcolonial writingmusical expression

Greek Music in America. Ergon: Greek/American Arts and Letters (2020)

greek musicpublic performancemusic historymusicologymusicmusical analysismusical expression

Authenticity.. J. Sturman (ed.), The SAGE International Encyclopedia of Music and Culture (vol. 1) (2019)

Papakostas, C. 'We Have Nettles but No Flour': Roma Music and Dance Identities in Northern Greece.. Journal of Modern Greek Studies (2018)

classicshistorical dancegeneral musicgastronomydanceroma musicphilosophy of musicnorthern greeceethnomusicologydance identitiespublic performancemusic historymusicologymusiceuropean archaeology

classicsroma musicpoeticscomparative literatureethnomusicologyancient philosophymodern italydance identitieschristos papakostasritual

Singing the Nation: Contemporary Greek Rebetiko Performance as Carnivalesque. Journal of Interdisciplinary Voice Studies (2017)

performance theorycontemporary theatretheatrepublic performancemusic historymusicologymusicperformance artmusical expression

Voicing Belonging: Contemporary Rebetika Performance as Carnivalesque.. Journal of Interdisciplinary Voice Studies (2017)

Rebetika and Catharsis: Cultural Practice as Crisis Management. Voices A World Forum for Music Therapy (2016)

cultural practicesmedical anthropologyglobal healthglobal health crisiscrisis management

1
2
10 / page