Faculty

Institution

Unit

Venue

Thomas E. Crow

Rosalie Solow Professor of Modern Art

New York University

Affiliations

Arts & Science

Fine Arts

Graduate School of Arts & Science

Thomas E. Crow is currently serving as an Arts & Science Rosalie Solow Professor of Modern Art at New York University.

Honors

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Experiences

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Education

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Thomas E. Crow

New York University

Rosalie Solow Professor of Modern Art

You can click a keyword to filter the displayed items

art art history visual arts art research art criticism visual culture history of art art theory french history french intellectual history aesthetics humanities french politics performance art historical review american literature cultural policy literary history architecture criticism modernity art education fascism in europe photographic studies historical reassessment decoloniality biblical studies political transformation mass culture visual art practice eighteenth-century paris pre-revolutionary radicalism public life homelessness political studies contemporary drama architectural research philosophy of film architectural design modern literature latin american research men's studies masculinity historical scholarship scholarly communication art policy architectural theory architectural history hauntology latin american studies theatre studies post-colonial criticism canadian literature cultural theory ink wash painting ink painting visual design visual language historical methodology historical analysis historical sociology participatory art european art homeless representation hand-made photographs jacques-louis david masculine republic renoir symposium bas jan ader building images historical interpretation public art private critic el paisaje galante revolutionary france jackson pollock cultural heritage united states contemporary art french art cultural studies modern art

Notable Scholarly Works

Notable Federal Grants

Collaborators

Ingres and David. Apollo (2001)

comparative literatureintellectual historyenglish languagebiblical studies

Bas Jan Ader: A Bridge Too Far. catalogue essay for Bas Jan Ader, ed. Brad Spence (The Art Gallery, University of California Irvine) (1999)

contemporary dramaart criticismcomparative literaturecontemporary artbas jan aderdramaturgyarchitecture criticismliterary theoryperformance artliterary criticism

J.B.S. Chardin: The Hare and the Tortoise. Artforum (1999)

comparative literatureworld literaturecanadian literatureliterary history

The Intelligence Ofart. University of North Carolina Press (1999)

machine intelligenceintelligence analysisintellectual discourseintelligent computingintelligence ofartintelligent systemscomputational intelligencephilosophyhuman-like intelligencepsychological science

Street Cries in New York: The Painting of Christopher Wool. catalogue essay for Christopher Wool, retrospective exhibition (Los Angeles Museum of Contemporary Art) (1998)

artamerican literatureart criticismart historyhistory of artcontemporary artaestheticsnew yorkvisual artsart theoryliterary criticismvisual cultureart research

L’ironie Et L’objectivité Dans L’éCriture De L’histoire De L’Art. Oü-va l’histoire de l’art contemporain? (1997)

art criticismfrench historyart historyhistory of artaestheticsvisual artsart theory’ écritureartart research

This is Now—Becoming Robert Rauschenberg. Artforum (1997)

humanitiesrobert rauschenbergarchitecture criticismcritical theoryperformance artapplied philosophy

Modernart in the Common Culture. Yale University Press (1996)

common culturemass culturemodernitycultural changecultural theorymaterial culturepopular culturecultural heritageheritage studiesculture

On Visual Culture. October (1996)

artvisual art practicevisual languageimage communicationvisual designvisual artsculturevisual cultureart research

Site-Specific Art: The Strong and the Weak. Art MonthlyAustralia (1996)

artparticipatory artsite-specific artart historycontemporary artart managementvisual artscultural heritageperformance artvisual cultureart research

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Thomas E. Crow

Rosalie Solow Professor of Modern Art

New York University

Affiliations

Arts & Science

Fine Arts

Graduate School of Arts & Science

Thomas E. Crow is currently serving as an Arts & Science Rosalie Solow Professor of Modern Art at New York University.

Honors

Create free account to unlock more features

Experiences

Create free account to unlock more features

Education

Create free account to unlock more features

Thomas E. Crow

New York University

Rosalie Solow Professor of Modern Art

You can click a keyword to filter the displayed items

Notable Scholarly Works

Notable Federal Grants

Collaborators

Ingres and David. Apollo (2001)

comparative literatureintellectual historyenglish languagebiblical studies

Bas Jan Ader: A Bridge Too Far. catalogue essay for Bas Jan Ader, ed. Brad Spence (The Art Gallery, University of California Irvine) (1999)

contemporary dramaart criticismcomparative literaturecontemporary artbas jan aderdramaturgyarchitecture criticismliterary theoryperformance artliterary criticism

J.B.S. Chardin: The Hare and the Tortoise. Artforum (1999)

comparative literatureworld literaturecanadian literatureliterary history

The Intelligence Ofart. University of North Carolina Press (1999)

Street Cries in New York: The Painting of Christopher Wool. catalogue essay for Christopher Wool, retrospective exhibition (Los Angeles Museum of Contemporary Art) (1998)

artamerican literatureart criticismart historyhistory of artcontemporary artaestheticsnew yorkvisual artsart theoryliterary criticismvisual cultureart research

L’ironie Et L’objectivité Dans L’éCriture De L’histoire De L’Art. Oü-va l’histoire de l’art contemporain? (1997)

art criticismfrench historyart historyhistory of artaestheticsvisual artsart theory’ écritureartart research

This is Now—Becoming Robert Rauschenberg. Artforum (1997)

humanitiesrobert rauschenbergarchitecture criticismcritical theoryperformance artapplied philosophy

Modernart in the Common Culture. Yale University Press (1996)

common culturemass culturemodernitycultural changecultural theorymaterial culturepopular culturecultural heritageheritage studiesculture

On Visual Culture. October (1996)

artvisual art practicevisual languageimage communicationvisual designvisual artsculturevisual cultureart research

Site-Specific Art: The Strong and the Weak. Art MonthlyAustralia (1996)

artparticipatory artsite-specific artart historycontemporary artart managementvisual artscultural heritageperformance artvisual cultureart research

1
2
3
4
5
10 / page

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