Faculty

Institution

Unit

Venue

Sarah Brooks

Professor of Art History

James Madison University

Affiliations

College of Visual and Performing Arts

School of Art, Design, and Art History

Sarah Brooks is currently serving as a College Of Visual And Performing Arts Professor of Art History at James Madison University.

Honors

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Experiences

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Education

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Sarah Brooks

James Madison University

Professor of Art History

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art history history of art cultural history sculpture european archaeology historical archaeology art visual arts heritage studies archaeological evidence historical scholarship religious symbol architecture archaeology archaeological science interdisciplinary history archaeological methods archaeological practice architectural history archaeological record monumental heritage civilizations empire religion poetry field archaeology art research poetics literary history cultural heritage levant comparative religion art criticism literary studies historical methodology art theory archaeological excavations religious screens art historical theological perspectives cahiers archeologiques late byzantine art late antique constantinople vassar college loeb art collection manuel philes byzantine tomb decoration female patronage byzantine art evangelia hadjitryphonos slobodan curcic unknown cycle triumphant cross islamic studies islamic thought material culture central mediterranean

Notable Scholarly Works

Notable Federal Grants

Collaborators

Stone Sculpture. Oxford University Press eBooks (2021)

Sarah T. Brooks

stone sculptureart historysculptureart

REVIEW: Architecture as Icon: Perception and Representation of Architecture in Byzantine Art by Slobodan CurčIć and Evangelia Hadjitryphonos; With Contributions by Kathleen E. Mcvey and Helen G. Saradi. Journal of the Society of Architectural Historians (2012)

Sarah Brooks

slobodan curcicarchitectureevangelia hadjitryphonosbyzantine art

Brigitte Pitarakis, Les Croix-Reliquaires Pectorales Byzantines En Bronze. (BibliothèQue Des Cahiers ArchéOlogiques, 16.) Paris: Picard, 2006. Paper. Pp. 446; Many Black-And-White Figures and Tables. €65.. Speculum (2010)

Sarah T. Brooks

archaeological sciencehistorical archaeologyarchaeologycahiers archeologiquesarchaeological evidenceart historyarchaeological recordfield archaeology

Thresholds of the Sacred: Architectural, Art Historical, Liturgical, and Theological Perspectives on Religious Screens, East and West. Edited by Sharon E. J. Gerstel. Cambridge, Mass.: Dumbarton Oaks Research Library and Collection, Distributed by Harvard University Press, 2006. 400 Pp. $65.00 Cloth.. Church History (2008)

Sarah T. Brooks

theological perspectiveshistory of artreligious screensarchitecturearchitectural historyart historicalart historyart

BYZANTIUM: Faith and Power (1261-1557). Perspectives on Late Byzantine Art and Culture. Yale University Press (2006)

classicsreligious symbolcultural historyinterdisciplinary historyhistory of arthistorical archaeologyreligious studiescivilizationsempirelate byzantine arthistorical scholarshipcomparative religionreligioneuropean archaeology

Poetry and Female Patronage in Byzantine Tomb Decoration: Two Epigrams by Manuel Philes. Dumbarton Oaks Papers (2006)

classicscultural historyliterary historymanuel philespoetryhistorical methodologyfemale patronagepoeticsliterary studieshistorical scholarshipbyzantine tomb decorationart history

Sculpture and the Byzantine Tomb. Byzantium: Faith and Power, 1261-1557 (2004)

history of artsculpturevisual artsbyzantine tombarchaeological evidenceart historyeuropean archaeology

The History and Significance of Tomb Monuments at the Chora Monastery. Restoring Byzantium: The Kariye Camii in Istanbul and the Byzantine Institute Restoration (2004)

classicsarchaeological sciencemonumental heritagecultural historyhistoryhistory of artsculptureheritage studieshistorical archaeologyarchaeological practicearchaeologytomb monumentsarchaeological excavationsarchaeological evidencearchaeological methodsart historychora monasteryarchaeological record

John ‘the Golden-Tongued’ Orator of Late Antique Constantinople: A Newly Discovered Icon in the Loeb Art Collection of Vassar College. Studies in Honor of Thomas F. Mathews

classicsart criticismart researchreligious symbolcultural historyhistory of artvisual artssculptureheritage studiesvassar collegeloeb art collectionlate antique constantinoplehistorical scholarshipart historyeuropean archaeologyart

Sculpting the Triumphant Cross: The Byzantine Templon Screen and an Unknown Cycle of Precious-Metal Icons.

classicssculpturevisual artsmaterial cultureart historymonumental heritagevisual cultureart theoryartcultural historybyzantine templon screencultural heritageunknown cyclearchaeological methodsreligious symboltriumphant crossinterdisciplinary historyhistory of artheritage studieshistorical archaeologyeuropean archaeology

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Sarah Brooks

Professor of Art History

James Madison University

Affiliations

College of Visual and Performing Arts

School of Art, Design, and Art History

Sarah Brooks is currently serving as a College Of Visual And Performing Arts Professor of Art History at James Madison University.

Honors

Create free account to unlock more features

Experiences

Create free account to unlock more features

Education

Create free account to unlock more features

Sarah Brooks

James Madison University

Professor of Art History

You can click a keyword to filter the displayed items

Notable Scholarly Works

Notable Federal Grants

Collaborators

Stone Sculpture. Oxford University Press eBooks (2021)

Sarah T. Brooks

stone sculptureart historysculptureart

Sarah Brooks

slobodan curcicarchitectureevangelia hadjitryphonosbyzantine art

Sarah T. Brooks

archaeological sciencehistorical archaeologyarchaeologycahiers archeologiquesarchaeological evidenceart historyarchaeological recordfield archaeology

Sarah T. Brooks

theological perspectiveshistory of artreligious screensarchitecturearchitectural historyart historicalart historyart

BYZANTIUM: Faith and Power (1261-1557). Perspectives on Late Byzantine Art and Culture. Yale University Press (2006)

Poetry and Female Patronage in Byzantine Tomb Decoration: Two Epigrams by Manuel Philes. Dumbarton Oaks Papers (2006)

classicscultural historyliterary historymanuel philespoetryhistorical methodologyfemale patronagepoeticsliterary studieshistorical scholarshipbyzantine tomb decorationart history

Sculpture and the Byzantine Tomb. Byzantium: Faith and Power, 1261-1557 (2004)

history of artsculpturevisual artsbyzantine tombarchaeological evidenceart historyeuropean archaeology

The History and Significance of Tomb Monuments at the Chora Monastery. Restoring Byzantium: The Kariye Camii in Istanbul and the Byzantine Institute Restoration (2004)

John ‘the Golden-Tongued’ Orator of Late Antique Constantinople: A Newly Discovered Icon in the Loeb Art Collection of Vassar College. Studies in Honor of Thomas F. Mathews

Sculpting the Triumphant Cross: The Byzantine Templon Screen and an Unknown Cycle of Precious-Metal Icons.

1
2
10 / page

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