Faculty

Institution

Unit

Venue

Rebecca K. VanDiver

Associate Professor of History of Art and Architecture

Vanderbilt University

Affiliations

College of Arts and Science

African American and Diaspora Studies

Graduate School

History of Art

Rebecca K. Vandiver is currently serving as an African American And Diaspora Studies Associate Professor of History of Art and Architecture at Vanderbilt University.

Honors

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Experiences

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Education

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Rebecca K. VanDiver

Vanderbilt University

Associate Professor of History of Art and Architecture

You can click a keyword to filter the displayed items

african american studies african identity black experience critical race theory art visual arts cultural history feminist theory feminist studies cultural heritage african studies ethnic studies black feminism afrocentricity culture cultural studies interdisciplinary history heritage studies american studies art theory feminist identity historical analysis historical sociology black politics african american art loïis mailou jones gender studies archival research intersectionality contemporary art cultural change art research urban history historical review higher education american literature postcolonial writing documentary film cultural geography museology visual art practice arts-based research art policy historical reassessment architectural history radical aesthetics higher education management space education racial studies african diaspora activism television studies film studies interactive television african art angela davis art department 1921 howard university ’ art matters chicago ’ new tradition orbital pull black americans negro building diasporic connotations reproductive justice elizabeth catlett ’ black maternal mourning women artists art history history of art visual culture

Notable Scholarly Works

Notable Federal Grants

Collaborators

Angela Davis: Seize the Time. Woman’s Art Journal (2021)

black feminismfeminist identityliteraturefeminist theoryangela davisafrican american studiesblack experiencecritical race theoryfeminist philosophyfeminist studies

Howard University’s Orbital Pull: Alma and Her Alma Mater. Alma Thomas: Everything is Beautiful (2021)

space educationorbital pullhigher education managementspace explorationhigher educationhumanities

The Torture of Mothers: Black Maternal Mourning and Reproductive Justice in Elizabeth Catlett’s Prints. Art Journal (2021)

black feminismafrican identitycultural historyfeminist identityhistoryliteraturereproductive justiceblack maternal mourningfeminist theorypostcolonial writingafrican american studieselizabeth catlett ’american literatureblack experiencecritical race theoryfeminist studies

Designing a New Tradition: Loïis Mailou Jones and Aesthetics of Blackness. Pennsylvania State University Press (2020)

african identityheritage studiesaestheticsradical aestheticsafrican american studiesnew traditionloïis mailou jonesvisual cultureblack experiencecritical race theoryart

Breaking Ground: Constructions of Identity in African American Art. Routledge Companion to African-American Art History (2019)

african identityafrican american artvisual artsafrocentricityethnic studiesafrican american studiesvisual cultureblack experiencecritical race theoryart

The Diasporic Connotations of Collage: Loïis Mailou Jones in Haiti, 1954-1964. American Art (2018)

social historycultural historyinterdisciplinary historyafrican diasporahistorical sociologyfrenchcultural studieshistorical analysisafrican american studiesloïis mailou jonesdiasporic connotationsafrican identity

Art Matters: History of Howard University’s Art Department 1921 to 1971. Callaloo (2016)

art researchart policyhistory of artvisual artsart mattersart department 1921cultural heritagehoward university ’visual art practicevisual cultureart historyart theoryarts-based researchart

Off the Wall, Into the Archive: Black Feminist Curatorial Practices of the 1970s. Archives of American Art Journal (2016)

black feminismafrican identitygender studiesarchival researchfeminist theoryintersectionalitycultural heritagemuseologyafrican american studiesblack experiencecritical race theoryfeminist studies

Before the Wall Came Tumbling Down. Space and Culture (2015)

Rebecca VanDiver

cultural historyculturecultural studiescultural changecultural geography

Before the Wall Came Tumbling Down: Ephemerality and Chicago’s Wall of Respect, 1967-1971. Space and Culture (2015)

urbanismsocial historypolitical historychicago ’interdisciplinary historyhistoryhistorical sociologyhistorical reassessmenthistorical reviewarchitectural historyurban historyhistorical analysishumanitiesmodernity

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Rebecca K. VanDiver

Associate Professor of History of Art and Architecture

Vanderbilt University

Affiliations

College of Arts and Science

African American and Diaspora Studies

Graduate School

History of Art

Rebecca K. Vandiver is currently serving as an African American And Diaspora Studies Associate Professor of History of Art and Architecture at Vanderbilt University.

Honors

Create free account to unlock more features

Experiences

Create free account to unlock more features

Education

Create free account to unlock more features

Rebecca K. VanDiver

Vanderbilt University

Associate Professor of History of Art and Architecture

You can click a keyword to filter the displayed items

Notable Scholarly Works

Notable Federal Grants

Collaborators

Angela Davis: Seize the Time. Woman’s Art Journal (2021)

black feminismfeminist identityliteraturefeminist theoryangela davisafrican american studiesblack experiencecritical race theoryfeminist philosophyfeminist studies

Howard University’s Orbital Pull: Alma and Her Alma Mater. Alma Thomas: Everything is Beautiful (2021)

space educationorbital pullhigher education managementspace explorationhigher educationhumanities

The Torture of Mothers: Black Maternal Mourning and Reproductive Justice in Elizabeth Catlett’s Prints. Art Journal (2021)

Designing a New Tradition: Loïis Mailou Jones and Aesthetics of Blackness. Pennsylvania State University Press (2020)

african identityheritage studiesaestheticsradical aestheticsafrican american studiesnew traditionloïis mailou jonesvisual cultureblack experiencecritical race theoryart

Breaking Ground: Constructions of Identity in African American Art. Routledge Companion to African-American Art History (2019)

african identityafrican american artvisual artsafrocentricityethnic studiesafrican american studiesvisual cultureblack experiencecritical race theoryart

The Diasporic Connotations of Collage: Loïis Mailou Jones in Haiti, 1954-1964. American Art (2018)

Art Matters: History of Howard University’s Art Department 1921 to 1971. Callaloo (2016)

art researchart policyhistory of artvisual artsart mattersart department 1921cultural heritagehoward university ’visual art practicevisual cultureart historyart theoryarts-based researchart

Off the Wall, Into the Archive: Black Feminist Curatorial Practices of the 1970s. Archives of American Art Journal (2016)

black feminismafrican identitygender studiesarchival researchfeminist theoryintersectionalitycultural heritagemuseologyafrican american studiesblack experiencecritical race theoryfeminist studies

Before the Wall Came Tumbling Down. Space and Culture (2015)

Rebecca VanDiver

cultural historyculturecultural studiescultural changecultural geography

Before the Wall Came Tumbling Down: Ephemerality and Chicago’s Wall of Respect, 1967-1971. Space and Culture (2015)

1
2
10 / page

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