Faculty

Institution

Unit

Venue

Lukas Brasiskis

Columbia University

Affiliations

MS_ACAD-Morningside Academic

SOA School of the Arts

SOA Instruction

SOA Film

SOA Theatre

SOA Visual Arts

SOA Writing

SOA School of the Arts

SOA Instruction

NoneLukas Brasiskis is currently serving as a Ms_Acad-Morningside Academic faculty at Columbia University.

Honors

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Experiences

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Education

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Lukas Brasiskis

Columbia University

You can click a keyword to filter the displayed items

cinema film studies film criticism european cinema cultural history documental cinema image communication documentary film film theory history international history screen medium photographic studies genocide environmental science ecology classics deforestation political history modernity intellectual history digital humanities contemporary art forest ecology literary history narrative textual practice electronic library modern literature philosophy of film ethnobotany wargaming historical scholarship international librarianship visual art practice foundational theory interactive television television studies documentary analysis military context war crimes visual communication

Notable Scholarly Works

Notable Federal Grants

Collaborators

From Observation to Techno-Natures: Ecological Concerns in Moving Images by Contemporary Artists. Experimental film and artists' moving image (2025)

contemporary artvisual artsvisual art practiceimage communicationvisual culturecinemafilmart

Cinema and the Environment in Eastern Europe. Berghahn Books (2023)

film studiescinemafilmeuropean cinema

Introduction. Berghahn Books (2023)

modern literaturefoundational theoryworld literaturehumanities

Cold War Cinema and the Traumatic Turn in Europe. (2022)

film criticismfilm studieseuropean cinemacinemafilm

Everyday Representations of War in Late Modernity. (2022)

wargamingpolitical historycultural historyhistoryinternational historymodernity

In Between Hauntology and Representation: Spectres of War in Sergei Loznitsa’s Reflections and Deimantas NarkevičIus’ Legend Coming True. (2022)

classicscultural historyintellectual historyliterary historynarrativehistorical scholarshiptextual practice

Jonas Mekas: The Camera Was Always Running. Yale University Press (2022)

film criticismfilm scoresinteractive televisiontelevision studiesvisual cultureperformance studiescinemafilm

Spectres of War in Deimantas NarkevičIus’s Legend Coming True and Sergei Loznitsa’s Reflections. Acta Universitatis Sapientiae Film and Media Studies (2022)

philosophy of filmfilm theoryfilm criticismdocumental cinemafilm scoresdocumentary filmfilm studiesdocumentary analysisvisual culturecinemafilm

The Architecture of Lingering War in Everyday Life: Photography and the Double Time of Military Apparatus. (2022)

historymilitary contextimage communicationvisual culturephotographic studiesart

The Conflict of Photographic and Cinematographic Representations of War in Soviet Lithuania. (2022)

cultural historyinternational historyhistory of artdocumental cinemaphotographic studiesart historycinemafilm

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Lukas Brasiskis

Columbia University

Affiliations

MS_ACAD-Morningside Academic

SOA School of the Arts

SOA Instruction

SOA Film

SOA Theatre

SOA Visual Arts

SOA Writing

SOA School of the Arts

SOA Instruction

NoneLukas Brasiskis is currently serving as a Ms_Acad-Morningside Academic faculty at Columbia University.

Honors

Create free account to unlock more features

Experiences

Create free account to unlock more features

Education

Create free account to unlock more features

Lukas Brasiskis

Columbia University

You can click a keyword to filter the displayed items

Notable Scholarly Works

Notable Federal Grants

Collaborators

From Observation to Techno-Natures: Ecological Concerns in Moving Images by Contemporary Artists. Experimental film and artists' moving image (2025)

contemporary artvisual artsvisual art practiceimage communicationvisual culturecinemafilmart

Cinema and the Environment in Eastern Europe. Berghahn Books (2023)

film studiescinemafilmeuropean cinema

Introduction. Berghahn Books (2023)

modern literaturefoundational theoryworld literaturehumanities

Cold War Cinema and the Traumatic Turn in Europe. (2022)

film criticismfilm studieseuropean cinemacinemafilm

Everyday Representations of War in Late Modernity. (2022)

wargamingpolitical historycultural historyhistoryinternational historymodernity

In Between Hauntology and Representation: Spectres of War in Sergei Loznitsa’s Reflections and Deimantas NarkevičIus’ Legend Coming True. (2022)

classicscultural historyintellectual historyliterary historynarrativehistorical scholarshiptextual practice

Jonas Mekas: The Camera Was Always Running. Yale University Press (2022)

film criticismfilm scoresinteractive televisiontelevision studiesvisual cultureperformance studiescinemafilm

Spectres of War in Deimantas NarkevičIus’s Legend Coming True and Sergei Loznitsa’s Reflections. Acta Universitatis Sapientiae Film and Media Studies (2022)

philosophy of filmfilm theoryfilm criticismdocumental cinemafilm scoresdocumentary filmfilm studiesdocumentary analysisvisual culturecinemafilm

The Architecture of Lingering War in Everyday Life: Photography and the Double Time of Military Apparatus. (2022)

historymilitary contextimage communicationvisual culturephotographic studiesart

The Conflict of Photographic and Cinematographic Representations of War in Soviet Lithuania. (2022)

cultural historyinternational historyhistory of artdocumental cinemaphotographic studiesart historycinemafilm

1
2
10 / page