Katie Hornstein is currently serving as an Art History Professor of Art History at Dartmouth College.
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Katie Hornstein
Dartmouth College
Professor of Art History
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Notable Scholarly Works
Notable Federal Grants
Collaborators
Animal Modernities: Images, Objects, Histories. University of Leuven Press (2025)
historical biologyart historybiological anthropologyhistory of artmammalogyzoologyzoogeographyanthropologyanimal modernitieshuman-animal interactions
Castor En Société. Dictionnaire histoirique et critique des animaux (2024)
european issuefrench historyeuropean societyfrenchclassical sociologylatin literature
Myth and Menagerie: Seeing Lions in the Nineteenth Century. Yale University Press (2024)
historyhistory of artsocial historyvictorian literaturefolklore traditionnineteenth centurycultural history
The Corpse at the Door: Edwin Landseer and Albert the Lion. Routledge (2024)
humanitiesintellectual historytheatreliterary historyvictorian literatureedwin landseerliteratureliterary criticismcultural history
Gusts of Revulsion: ‘ÉDouard Verreaux's Imperial Tableau at the Exposition Universelle of 1867. Oxford Art Journal (2023)
historyhistorical analysisfrench historyhistory of artinterdisciplinary historyintellectual historyempireimperial tableauhistoriographyglobal historyfrench‘ édouard verreauxexposition universelletransnational historyhistorical evidencehistorical methodologyhistorical reviewcultural history
Henri Durand-Brager, La Guerre De CriméE Et La Question De L'image Panoramique. Presses universitaires de Rennes (2023)
artart criticismfrench historyart historyhistory of artfrench studiesvisual artsart theoryhenri durand-bragerl'image panoramiquela questionphotographic studiesvisual culturecultural history
Jean-Baptiste Huet's Lions and the Look of the Captive in Post-Revolutionary France. Bloomsbury (2021)
historyhistorical analysisjean-baptiste huetfrench historyinterdisciplinary historyintellectual historypost-revolutionary francefrenchfrench civilizationhistorical methodologycultural history
The Lion of Belfort, Max Ernst's Une Semaine De Bonté and the Uses of the Past. Nineteenth-Century French Studies (2021)
historyhistorical reassessmentmax ernstcultural historyfrench historyphilosophy of historyune semaineinterdisciplinary historyintellectual historyhistoriographyhistorical reconstructionfrenchliterary historyearly modern philosophyhistorical methodologyhistorical scholarshipclassics
The Saint-Gobain Grande Glace: Transparency and Display Culture at the Exposition Universelle of 1855. Oxford Art Journal (2021)
saint-gobain grande glaceartart historyhistory of artmass culturedisplay culturepublic displaysvisual artspopular culturecultural heritageheritage studiesart theorycultural studiesmuseologyexposition universellevisual cultureart researchcultural history
From Museum to Menagerie: Théodore GéRicault and the Leonine Subject. The Art Bulletin (2019)
historyamerican literaturecanadian literatureart historyhistory of artwestern american literatureintellectual historysocial historyhistoriographyliterary historyleonine subjectmuseologyearly american literaturecultural history
