Faculty

Institution

Unit

Venue

Jane M. Gaines

Professor of Film in the Faculty of the Arts

Columbia University

Affiliations

MS_ACAD-Morningside Academic

SOA School of the Arts

SOA Instruction

SOA Film

SOA Theatre

SOA Visual Arts

SOA Writing

SOA School of the Arts

SOA Instruction

Jane M. Gaines is currently serving as a Ms_Acad-Morningside Academic Professor of Film in the Faculty of the Arts at Columbia University.

Honors

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Experiences

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Education

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Jane M. Gaines

Columbia University

Professor of Film in the Faculty of the Arts

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film cinema film studies film criticism film theory media studies feminist studies gender studies feminist theory history narrative screen medium documentary film feminist perspectives documental cinema chinese culture political agendas law social history cultural history jurisprudence communication theory phenomenology (philosophy) cultural change american studies medical history general systems intellectual discourse gender diversity violence against women philosophy of film international business academic ethic middle east policy hauntology abstract object theory first-person narratives human sexuality women's empowerment alternative sexuality women's rights visual communication philosophy of history internationalization scientific integrity islamic studies activism ink wash painting pattern transfer mass culture racial studies queer studies vocal music transnational history government communication contested culture alternative pleasure world export christian metz chinese melodrama nation footage global medium historical turn intellectual property journalism

Video Presentations

Notable Scholarly Works

Notable Federal Grants

Collaborators

Copying Technologies. Oxford University Press eBooks (2024)

Jane M. Gaines

pattern transfertechnology transfercyber-physical systemscomputer sciencetechnologyintellectual propertyinformation technology

Early Chinese Cinema and Two-Way World Flows. Journal of Chinese Cinemas (2024)

chinese culturefilm theoryfilm studiesdocumental cinemaink wash paintingfilm criticismcinemafilmcultural studiesmedia studies

Love and Duty (1931): Chinese Melodrama and the “Contradictions of Modernity”. Journal of Chinese Cinemas (2024)

Jane M. Gaines

chinese cultureeast asian studiesmodernitychinese melodramacinemafilm

Antonia Dickson: The Kineto-Phonograph and the Telephony of the Future. Early Popular Visual Culture (2023)

visual artsvisual communicationart historyvisual cultureartscreen medium

Bombay Hustle: Making Movies in a Colonial Cityrelaying Cinema in Midcentury Iran: Material Cultures in Transitjaponisme and the Birth of Cinema. Comparative Literature (2023)

film studieseuropean cinemacinemavisual culturefilm

The Birth of a Nation Footage We Do Not Want to Find. Springer eBooks (2023)

Jane M. Gaines

nationalismpolitical sciencenation footagehistorytransnational history

World Export:. Indiana University Press eBooks (2022)

Jane M. Gaines

international businesseconomicsinternational tradeworld exportglobalizationtradeinternationalization

Documentary Dreams of Activism and the “Arab Spring”. (2021)

islamic studiesactivismculturemiddle east policyprotestfilmmiddle eastern studies

After the Facts – These Edits Are My Thoughts. Columbia Academic Commons (Columbia University) (2020)

scientific integrityopen sciencehumanitiesacademic ethic

Early Cinema's Heyday of Copying. Cultural Studies (2020)

film theoryfilm studiesfilm criticismcinemafilm

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Jane M. Gaines

Professor of Film in the Faculty of the Arts

Columbia University

Affiliations

MS_ACAD-Morningside Academic

SOA School of the Arts

SOA Instruction

SOA Film

SOA Theatre

SOA Visual Arts

SOA Writing

SOA School of the Arts

SOA Instruction

Jane M. Gaines is currently serving as a Ms_Acad-Morningside Academic Professor of Film in the Faculty of the Arts at Columbia University.

Honors

Create free account to unlock more features

Experiences

Create free account to unlock more features

Education

Create free account to unlock more features

Jane M. Gaines

Columbia University

Professor of Film in the Faculty of the Arts

You can click a keyword to filter the displayed items

Video Presentations

Notable Scholarly Works

Notable Federal Grants

Collaborators

Copying Technologies. Oxford University Press eBooks (2024)

Jane M. Gaines

pattern transfertechnology transfercyber-physical systemscomputer sciencetechnologyintellectual propertyinformation technology

Early Chinese Cinema and Two-Way World Flows. Journal of Chinese Cinemas (2024)

chinese culturefilm theoryfilm studiesdocumental cinemaink wash paintingfilm criticismcinemafilmcultural studiesmedia studies

Love and Duty (1931): Chinese Melodrama and the “Contradictions of Modernity”. Journal of Chinese Cinemas (2024)

Jane M. Gaines

chinese cultureeast asian studiesmodernitychinese melodramacinemafilm

Antonia Dickson: The Kineto-Phonograph and the Telephony of the Future. Early Popular Visual Culture (2023)

visual artsvisual communicationart historyvisual cultureartscreen medium

Bombay Hustle: Making Movies in a Colonial Cityrelaying Cinema in Midcentury Iran: Material Cultures in Transitjaponisme and the Birth of Cinema. Comparative Literature (2023)

film studieseuropean cinemacinemavisual culturefilm

The Birth of a Nation Footage We Do Not Want to Find. Springer eBooks (2023)

Jane M. Gaines

nationalismpolitical sciencenation footagehistorytransnational history

World Export:. Indiana University Press eBooks (2022)

Jane M. Gaines

international businesseconomicsinternational tradeworld exportglobalizationtradeinternationalization

Documentary Dreams of Activism and the “Arab Spring”. (2021)

islamic studiesactivismculturemiddle east policyprotestfilmmiddle eastern studies

After the Facts – These Edits Are My Thoughts. Columbia Academic Commons (Columbia University) (2020)

scientific integrityopen sciencehumanitiesacademic ethic

Early Cinema's Heyday of Copying. Cultural Studies (2020)

film theoryfilm studiesfilm criticismcinemafilm

1
2
3
10 / page