Faculty

Institution

Unit

Venue

Gayle Sherwood Magee

Professor of Musicology

UIUC

Affiliations

College of Fine & Applied Arts

School of Music

Gayle Sherwood Magee is currently serving as a College Of Fine & Applied Arts Professor of Musicology at Uiuc.

Honors

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Experiences

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Education

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Gayle Sherwood Magee

UIUC

Professor of Musicology

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music music history musicology musical expression public performance musical analysis film theatre film scores film criticism philosophy of music art history cinema music perception international history general music music theory historical dance documentary film sound art theatre studies film theory film studies historical analysis robert altman musical composition improvisation art research performance art intellectual discourse art education thinking skills european cinema philosophy of film music psychology modern physics global history creative industries creativity assessment vocal music mashup (music) conservation laws historical methodology historical evidence transatlantic relations music teacher research masculinity gendered context gender theory gender stereotypes gendered perceptions soundscapes indigenous peoples distributed collaboration remote work remote collaboration open collaboration feminist identity musical development critical assumptions controversial composer information guide ives studies purpose textbook accounts opera quarterly opera news lyric opera gosford park transatlantic dialogue reciprocal transatlantic exchange theatrical depth new hollywood own songs culture transnational identities

Notable Scholarly Works

Notable Federal Grants

Collaborators

'That Ecstatic Delight': Gender and Performance in Adaptations of Sense and Sensibility. Women and Music in the Age of Austen (2024)

Gayle Sherwood Magee

gender diversitygender identitygendered sexualitymasculinitygendered contextfeminist theoryecstatic delightsexual behaviorgender studiesfeminist studiessex rolesgender stereotypesgendered perceptionsgender theoryperformance studies

‘to Explore the World of Sound’: Music, Silence and Nation-Building in Bing Bang Boom (1969). Organised Sound (2024)

Gayle Magee

national film boardproblematic relationshipmusic historyindigenous peoplesfilmsoundscapesmusic perceptionsound artethnomusicologydocumentary filmmusicmusical expressionmusicologypublic performance

Reconsidering American Music Studies. American Music (2023)

Gayle Sherwood Magee

philosophy of musicmusic historymusic perceptionethnomusicologyamerican music studiesmusicmusical expressionmusicologypublic performanceperformance studies

Valuing Collaboration in American Music Studies. American Music (2022)

Gayle Magee

organizational communicationdistributed collaborationunited statescommunicationremote collaborationremote workamerican music studiescomputer-supported cooperative workdigital mediumsopen collaborationcommunity-engaged researchsocial sciencespublic performancecollaborative work

The Karl Muck Scandal: Classical Music and Xenophobia in World War I America. First World War Studies (2021)

Gayle Magee

historical analysismusical expressionamerican studiessocial historyinternational historyphilosophy of musicmusic historymusical analysisworld warkarl muck scandalmusichistorypopular culturemusicologypublic performanceclassical music

Editor’s Introduction: Special Issue on Transpacific Currents. American Music (2019)

Gayle Magee

physicstranspacific currentsconservation lawsmodern physicselectromagnetic fields

'Every Man in New York': Charles Ives and the First World War. Over Here, Over There (2019)

Gayle Sherwood Magee

historical analysisamerican studiessocial historyinternational historyintellectual historyfirst world warhistorical methodologycultural historyglobal historyempirehistoryliteraturenew yorkhistorical evidence

Over Here, Over There: Transatlantic Conversations on the Music of World War I. University of Illinois Press (2019)

Gayle Sherwood Magee

international historyworld warmusic historymusical analysistheatretransatlantic relationsjazzmusictransatlantic conversationsmusical expressionmusicologypublic performance

Austen, Music, and Masculinity in the British Heritage Film. Jane Austen and Masculinity (2018)

Gayle Sherwood Magee

film criticismmusic historyfilmfilm scoresbritish heritage filmcinemafilm studies

Editor's Introduction. American Music (2018)

Gayle Sherwood Magee

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Gayle Sherwood Magee

Professor of Musicology

UIUC

Affiliations

College of Fine & Applied Arts

School of Music

Gayle Sherwood Magee is currently serving as a College Of Fine & Applied Arts Professor of Musicology at Uiuc.

Honors

Create free account to unlock more features

Experiences

Create free account to unlock more features

Education

Create free account to unlock more features

Gayle Sherwood Magee

UIUC

Professor of Musicology

You can click a keyword to filter the displayed items

Notable Scholarly Works

Notable Federal Grants

Collaborators

'That Ecstatic Delight': Gender and Performance in Adaptations of Sense and Sensibility. Women and Music in the Age of Austen (2024)

Gayle Sherwood Magee

‘to Explore the World of Sound’: Music, Silence and Nation-Building in Bing Bang Boom (1969). Organised Sound (2024)

Gayle Magee

national film boardproblematic relationshipmusic historyindigenous peoplesfilmsoundscapesmusic perceptionsound artethnomusicologydocumentary filmmusicmusical expressionmusicologypublic performance

Reconsidering American Music Studies. American Music (2023)

Gayle Sherwood Magee

philosophy of musicmusic historymusic perceptionethnomusicologyamerican music studiesmusicmusical expressionmusicologypublic performanceperformance studies

Valuing Collaboration in American Music Studies. American Music (2022)

Gayle Magee

The Karl Muck Scandal: Classical Music and Xenophobia in World War I America. First World War Studies (2021)

Gayle Magee

Editor’s Introduction: Special Issue on Transpacific Currents. American Music (2019)

Gayle Magee

physicstranspacific currentsconservation lawsmodern physicselectromagnetic fields

'Every Man in New York': Charles Ives and the First World War. Over Here, Over There (2019)

Gayle Sherwood Magee

Over Here, Over There: Transatlantic Conversations on the Music of World War I. University of Illinois Press (2019)

Gayle Sherwood Magee

international historyworld warmusic historymusical analysistheatretransatlantic relationsjazzmusictransatlantic conversationsmusical expressionmusicologypublic performance

Austen, Music, and Masculinity in the British Heritage Film. Jane Austen and Masculinity (2018)

Gayle Sherwood Magee

film criticismmusic historyfilmfilm scoresbritish heritage filmcinemafilm studies

Editor's Introduction. American Music (2018)

Gayle Sherwood Magee

1
2
3
10 / page