Faculty

Institution

Unit

Venue

Chelsea Burns

Assistant Professor of Music Theory

University of Texas at Austin

Affiliations

College of Fine Arts

Sarah and Ernest Butler School of Music

Chelsea Burns is currently serving as a College Of Fine Arts Assistant Professor of Music Theory at University of Texas At Austin.

Honors

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Experiences

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Education

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Chelsea Burns

University of Texas at Austin

Assistant Professor of Music Theory

You can click a keyword to filter the displayed items

music musicology music theory culture musical expression african american studies ethnomusicology public performance general music anthropology music history popular culture global studies globalization urban ecology global policy urban history music psychology ethnographic theory ethnic studies music information retrieval narrative literary history racial equity musical analysis global politics urban gardening urban society ethnomethodology music teacher education sound art philosophy of music raciolinguistics literary studies second string quartet musique cannibale bobby womack racial limitations country-soul crossover

Notable Scholarly Works

Notable Federal Grants

Collaborators

Heitor Villa-Lobos and the Political Opportunism of Music Education. American Musicological Society (2023)

musicologypublic performancemusic educationmusicmusic teacher education

Misreading Revueltas: Polysemy and the Second String Quartet. Súmula Revista de Teoría y Análisis Musical (2023)

Chelsea Burns

music historysecond string quartetmusicmusicology

Reiterating Hierarchy and the Failed Promise of the Global. twentieth-century music (2023)

CHELSEA BURNS

global policyglobal politicsglobalizationmusicglobal studies

Make It Old: (Taylor's Version) and the Art and Experience of Re-Creation. American Musicological Society, Society for Music Theory, and Society for Ethnomusicology (2022)

sound artmusical expressionmusicologyethnomusicologymusic theoryartmusic

Country Music, Who Are You?. International Association for the Study of Popular Music, US Chapter annual meeting (2021)

music psychologymusicologyculturegeneral musicmusic

Negotiating Identities: Carlos CháVez and the Trouble With Musical 'Nationalism'. American Musicological Society annual meeting (2021)

musical expressionphilosophy of musicmusicologyculturemusic

You Can't Go Home Again: 'Love Story (Taylor's Version)' and the Impossibility of Re-Creation. Taylor Swift Study Day (2021)

literary historynarrativeliterary theoryliteratureliterary studiesliterary criticismhumanities

Global Modernisms in Ethnomusicology. Society for Ethnomusicology annual meeting (2020)

ethnomethodologyethnographic theorycultureethnographyanthropology

“Musique Cannibale”: The Evolving Sound of Indigeneity in Heitor Villa-Lobos’s Tres PoêMas Indigenas. Music Theory Spectrum (2020)

Chelsea Burns

musique cannibalemusicmusic theory

The Racial Limitations of Country-Soul Crossover in Bobby Womack's Bw Goes C W, 1976. Journal of Popular Music Studies (2020)

Chelsea Burns

racial equitycountry-soul crossoverbobby womackafrican american studiesmusicracial limitationspopular culture

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2
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Chelsea Burns

Assistant Professor of Music Theory

University of Texas at Austin

Affiliations

College of Fine Arts

Sarah and Ernest Butler School of Music

Chelsea Burns is currently serving as a College Of Fine Arts Assistant Professor of Music Theory at University of Texas At Austin.

Honors

Create free account to unlock more features

Experiences

Create free account to unlock more features

Education

Create free account to unlock more features

Chelsea Burns

University of Texas at Austin

Assistant Professor of Music Theory

You can click a keyword to filter the displayed items

Notable Scholarly Works

Notable Federal Grants

Collaborators

Heitor Villa-Lobos and the Political Opportunism of Music Education. American Musicological Society (2023)

musicologypublic performancemusic educationmusicmusic teacher education

Misreading Revueltas: Polysemy and the Second String Quartet. Súmula Revista de Teoría y Análisis Musical (2023)

Chelsea Burns

music historysecond string quartetmusicmusicology

Reiterating Hierarchy and the Failed Promise of the Global. twentieth-century music (2023)

CHELSEA BURNS

global policyglobal politicsglobalizationmusicglobal studies

Make It Old: (Taylor's Version) and the Art and Experience of Re-Creation. American Musicological Society, Society for Music Theory, and Society for Ethnomusicology (2022)

sound artmusical expressionmusicologyethnomusicologymusic theoryartmusic

Country Music, Who Are You?. International Association for the Study of Popular Music, US Chapter annual meeting (2021)

music psychologymusicologyculturegeneral musicmusic

Negotiating Identities: Carlos CháVez and the Trouble With Musical 'Nationalism'. American Musicological Society annual meeting (2021)

musical expressionphilosophy of musicmusicologyculturemusic

You Can't Go Home Again: 'Love Story (Taylor's Version)' and the Impossibility of Re-Creation. Taylor Swift Study Day (2021)

literary historynarrativeliterary theoryliteratureliterary studiesliterary criticismhumanities

Global Modernisms in Ethnomusicology. Society for Ethnomusicology annual meeting (2020)

ethnomethodologyethnographic theorycultureethnographyanthropology

“Musique Cannibale”: The Evolving Sound of Indigeneity in Heitor Villa-Lobos’s Tres PoêMas Indigenas. Music Theory Spectrum (2020)

Chelsea Burns

musique cannibalemusicmusic theory

The Racial Limitations of Country-Soul Crossover in Bobby Womack's Bw Goes C W, 1976. Journal of Popular Music Studies (2020)

Chelsea Burns

racial equitycountry-soul crossoverbobby womackafrican american studiesmusicracial limitationspopular culture

1
2
10 / page

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